A short personal history

Journey

Düsseldorf to Amsterdam, by way of São Paulo and London.

  1. DEDüsseldorf2000–08Communication design
  2. BRSão Paulo2006–07the Walz
  3. NLAmsterdam2008–12digital products
  4. UKLondon2012–21product & change
  5. NLAmsterdam2022–home

Now · Amsterdam

Communication design in Düsseldorf, finished in São Paulo on a journeyman year — my first lesson in what a good question can open up.

Amsterdam, then London, then Amsterdam again, where I lead a blended team. The hard part of digital work is getting people with different pictures in their heads to build the same thing. For the last eighteen months the material has been AI, and the question is the same size: what has to be true before an organisation can adopt, trust and govern it. The long version, with photographs, is below ↓ — or start with what it produced.

Chapter 01 — Where it started

2000–08 · DEThe beginning

Learning the craft of communication design

A Diploma at Master level in Communication Design in Düsseldorf, focused on corporate design and user experience. I graduated with distinction — and with questions the craft alone could not answer: how do people, products, and systems fit together?

Vintage black-and-white photo of a child in a colourful paper-bird mask facing a small child in dungarees on a lawn.
2006–07 · BRThe Walz

My Walz to Brazil at the end of my studies

Following the old German journeyman tradition — the Walz, where trainees leave home to work among strangers and return changed — I closed my studies in São Paulo, art-directing campaigns at AlmapBBDO in 2006.

My graduation project: six months interviewing forty-two creative people across advertising, design, street art, and social projects, bound into a 432-page book — my first long-form research, and my first lesson in what a good question can gather around itself.

An art director at his desk at AlmapBBDO in São Paulo, flanked by Havaianas-branded desk accessories and floral lampshades.
Close-up of colourful printed spreads from the graduation book, including Havaianas branding and hand-lettered pages.

Chapter 02 — Into practice

2008–15 · NL ↔ UKCraft & collaboration

Designing complex products, across cultures

At Mediamatic and Mattmo in Amsterdam I designed complex digital products — among them a self-publishing platform connecting artists across Africa and Asia.
I worked with teams split between Amsterdam and Shanghai. It taught me early where the hard part of digital work sits: getting people with different pictures in their heads to build the same thing.

Mediamatic's waterside building in Amsterdam lit up at sunset, with a boat moored alongside.
Hands holding open a printed Mattmo magazine spread with bold red headlines and colourful inset graphics.
2012 · Service designGlobal Service Jam

From designing screens to designing whole services

The 2012 Global Service Jam introduced me to service design: the whole service, backstage and front, with the interface as its last ten minutes. It also moved facilitation to the centre of my practice — designing the conversation as carefully as the artefact.

A whiteboard covered in colour-coded sticky notes mapping devices, cloud services, and stakeholders in a healthcare service ecosystem, connected by hand-drawn arrows.
Hand-drawn diagram mapping how cluster merchants' briefs and a financial framework flow through a global merchant into a Box Line Plan, then out to design and product development.
2012–18 · LondonProduct & transformation

Testing and scaling product work inside the enterprise

Inside London product teams and enterprise transformation, I learned to take the separate pictures leadership, technology, and delivery each carry and pull them into one everyone can see — and challenge.

A twelve-week MVP across London and San Francisco taught me to earn trust through small, safe experiments. Scaling a bank's onboarding from three days to five seconds, and one team to more than 150 people across six offices, taught me to grow what works without losing coherence or culture.

A whiteboard ‘Research Kanban’ divided into ‘What we don't know’, ‘What we think we know’ and ‘What we know’.
Two Lego mini-brick boxes labelled UK and HK side by side, a playful stand-in for scaling one design system across teams and regions.
Slide titled ‘Building the sandcastle: a shift of perspectives’, pairing sandcastle photos with a Sprint 0–4 agile progress diagram.
2019– · Continuous learningBusiness & product

Continuous learning: Business Design and modern Product Management

I took a Business Design MBA (d.MBA) to think in value models, governance, and adoption, and a REFORGE programme in Digital Product Management to stay close to how modern product teams operate — alongside service-design and prototyping certifications. The work keeps changing, and I would rather update my toolkit than defend it.

Andreas Conradi holding up a copy of ‘Testing Business Ideas’ at an airport.

Chapter 03 — The present

2018–21 · LondonProduct Director · Red Badger

Stepping into business leadership: clients, teams, and the playbooks

As Product Director I ran the product practice — hiring and coaching designers, data scientists and product managers — and took the FutureNHS and apparel work from first conversation to signed team.

With the rest of the leadership team, I wrote the playbooks that describe how we run the business — how we hire, promote, and position the organisation. Writing down how a company works is humbling: it forces you to say what you believe, in a way a team can hold you to.

The whole Red Badger team waving from a building balcony, celebrating with drinks in hand.
A colleague at a product away day sticking notes to a teammate's t-shirt, in front of windows covered in sticky notes.
2016–23 · TeachingBerghs · King's College

Teaching the practice at Berghs and King's College

Seven years as Course Director at Berghs School of Communication in Stockholm and five teaching Creative Problem Solving at King's College London. Teaching is how I test whether I understand something; I still sit on Berghs' International Advisory Board. The full account is on the practice page.

Andreas Conradi smiling in a workshop space, with sticky notes and a design studio setup in the background.
Remote video-call critique with student thumbnails along the top and a shared MVP presentation covering user testing, journey maps, and research organisations.
London → NLFamily · a personal note

We surprised ourselves — and had our kids in London.

Three of them, none of it quite planned. After a decade, we traded double-deckers for bakfietsen and moved to the Netherlands, our second time in the country and the first as a family of five.

A father and toddler holding hands, walking into the waves on a windy beach.
2023– · AmsterdamAI, hands on

Making AI real: from working demos to adopted capability

I lead a multidisciplinary team here — business design, product, UX, engineering — guiding a large mobility provider through its transformation toward integrated sales and service. For the past 18 months the work has been AI, hands on, and the interesting questions are practical: how it behaves, where it helps, and what has to be true before an organisation can adopt, trust, and govern it.

A whiteboard mapping a GenAI Centre of Excellence — sticky notes for Strategy, People, Use Cases, Governance, Enablement and Technology radiating from a central note.
Now · The sandboxLearning by breaking

Everything I recommend, I have broken myself first

My AI Sandbox is where client questions get stress-tested: what an opportunity requires, where a concept breaks, and what has to be true before it becomes a product, service, or programme of work. Field notes from summits and hackathons feed it; what survives feeds the practice.

A keynote speaker on stage in front of a large audience at the AWS AI Summit, under colourful stage lighting.
A speaker presenting a multi-agent architecture diagram with a supervisor orchestrator agent fanning out to specialist agents.
Europe, nowThe network

A generous network pays back for years

A coffee, a meetup, a conversation — and you leave with an idea that reshapes the work. Most of what I know arrived this way: someone was generous with their thinking, and later I could be generous with mine.

Photo-booth print reading ‘Designing for impact’, with two colleagues posing in paper masks in front of a brick wall, from an Apperio/IBM event.

If this resonates

Still the same throughline.

Twenty years, four countries, one habit: getting people with different pictures in their heads to build the same thing. If that is your habit too, let’s compare notes.